ࡱ > 0 2 / g bjbj** 4 HibHib u u u u u $ x $ < u u u R u u 5 d*
y 0 , 5 u 5 D ; : Mediated Settings: Placemaking in Documentary Film vis--vis Fiction Film
Budhaditya Chattopadhyay
This talk investigates how a sense of place is constructed in documentary films (and media artworks) vis--vis fiction films through the recording and mediation of site-specific elements, such as environmental sounds and images. Although the cinematically mediated setting acts as the backdrop or Mise-en-scne where a story or event can take place, there has been little academic study of site-specificity in relation to the mediation of the cinematic setting and production of space in documentary film and media artworks in comparison to fiction films. Drawing on theories of narrative, diegesis, mimesis and presence, and following a varied number of relevant fiction and documentary films and audio-visual media artworks, this talk aims to explore the human agency and affordances in producing reality and presence through ethnographic mediation of the site and placemaking, inside a filmic universe.
Biography:
Budhaditya Chattopadhyay (NL/IN) is a filmmaker, media artist, researcher, and writer. Chattopadhyay produces works for multichannel expanded cinema, large-scale audiovisual installation and live performance addressing contemporary issues of climate crisis, human intervention in the environment and ecology, urbanity, migration, race, and decolonization. Chattopadhyay holds a PhD in media arts from the Academy of Creative and Performing Arts, Leiden University, The Netherlands, an MA in new media and documentary from Aarhus University, Denmark, and a Graduate Diploma in cinematic arts from SRFTI, the prestigious national film school in India; in 2019, he has completed a 1-year postdoctoral fellowship. Chattopadhyay has received numerous fellowships, residencies and international awards. His works have been widely exhibited, screened, performed or presented across the globe, and published by Gruenrekorder (Germany) and Touch (UK). Chattopadhyay is the author of The Nomadic Listener (2020), Between the Headphones (2021), and The Auditory Setting (2021); his writings on film and media arts regularly appear in peer-reviewed journals, magazines and publications internationally. Web: HYPERLINK "https://budhaditya.org/" https://budhaditya.org/
I J e n o ) , H V W n 締od\dTLDd\d<4d4hH OJ QJ h OJ QJ h4 OJ QJ h!@ OJ QJ h- OJ QJ hP` OJ QJ ht ht OJ QJ ,hZ$ B*OJ PJ QJ fH ph@@@ q
2hZ$ hZ$ B*OJ PJ QJ fH ph@@@ q
,hp: B*OJ PJ QJ fH ph@@@ q
/hyB 5B*OJ PJ QJ fH ph@@@ q
/h)l 5B*OJ PJ QJ fH ph@@@ q
/hZ
5B*OJ PJ QJ fH ph@@@ q
J K d e dh gdO
$dh a$gdi dh gdA,w dh gdt dh gdl= n v
@
M
, 5 A F M N Y ƻݣݓݓ݃{s hk+ OJ QJ hZ$ OJ QJ h 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 h H 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 2 & 6 F V f v 2 ( & 6 F V f v & 6 F V f v & 6 F V f v & 6 F V f v & 6 F V f v & 6 F V f v 8 X V ~ 0 0 0 0 0 0 0 0 0 0 @ 0 @ 0 @ 0 @ 0 @ 0 @ 0 @ 0 @ 0 @ 0 @ 0 @ 0 @ 0 @ 0 @ OJ PJ QJ _HmH nH sH tH @ ` @ l= N o r m a l CJ _HaJ mH sH tH D A D
D e f a u l t P a r a g r a p h F o n t R i R
0 T a b l e N o r m a l 4
l 4 a ( k (
0 N o L i s t @ @ N L i s t P a r a g r a p h ^m$ 6 U`6 b 0 H y p e r l i n k >*B* ph PK ! [Content_Types].xmlN0EH-J@%ǎǢ|ș$زULTB l,3;r ØJB+$G]7O٭V'}ʅ$I 1Ê9cY<;*v7'aE\h >=,*8;*4?± ԉoAߤ>82*<")QHxK
|]Zz)ӁMSm@\&>!7;ɱʋ3װ1OC5VD
Xa?p
S4[NS28;Y[,T1|n;+/ʕj\\ ,E:!
t4.T̡ e1
}; [z^pl@ok0e
g@GGHPXNT,مde|*YdT\Y䀰+(T7$ow2缂#G֛ʥ?q NK-/M,WgxFV /FQⷶO&ecx\QLW@H ! +{[|{!KAi
`cm2iU|Y+ ި [[vxrNE3pmR
=Y04,!&0+WC ܃@oOS2'Sٮ05$ɤ]pm3Ft GɄ-!y"ӉV
.
`עv,O.%вKasS ƭvMz`3{9+e@eՔLy7W_Xtl PK !
ѐ ' theme/theme/_rels/themeManager.xml.relsM
0wooӺ&݈Э5
6?$Q
,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{ P8g/ ]QAsم(#L[ PK- ! [Content_Types].xmlPK- ! ֧ 6 0 _rels/.relsPK- ! ky theme/theme/themeManager.xmlPK- ! !Z! theme/theme/theme1.xmlPK- !
ѐ ' +
theme/theme/_rels/themeManager.xml.relsPK ] &
n
X 8 @ 0 (
B
S ? 'Q ^`o( . ^` . pL^p`L . @ ^@ ` . ^` . L^`L . ^` . ^` . PL^P`L . 'Q K 6 D b > H *4 yB I 4T eT i-a i 3l C&n t ;u A,w G< k+ 3 hC P P` N p: Z
x E" O B o `% i Z$ ZV e . n ( , u qc @L z A W W )l I ?z Q6 !@ 0X ql @ @ U n k n o w n G . [x T i m e s N e w R o m a n 5 S y m b o l 3. . [x A r i a l 7 $ B C a m b r i a G N
j M S M i n c h o -3 f g A $ B C a m b r i a M a t h " q h x3Gx3G T T ! r0 K HP $P l= 2 ! x x l% , B u d h a d i t y a C h a t t o p a d h y a y K a i e V i i g i p u u - K r e i n t a a l
Oh +'0 (
H T
` l t | Budhaditya Chattopadhyay Normal Kaie Viigipuu-Kreintaal 2 Microsoft Office Word @ @ m*@ m* T
՜. +,D ՜. +,D h p
University of Copenhagen Title 8 @ _PID_HLINKS A h k u h t t p s : / / b u d h a d i t y a . o r g /
! " # $ % & ( ) * + , - . 1 R o o t E n t r y F qf*3 1 T a b l e W o r d D o c u m e n t 4 S u m m a r y I n f o r m a t i o n ( D o c u m e n t S u m m a r y I n f o r m a t i o n 8 ' C o m p O b j r
F Microsoft Word 97-2003 Document
MSWordDoc Word.Document.8 9q